“Total Security”
David Roberts
British

By arming themselves
with sufficient bombs
to destroy the world,
and being
the world's number one country
at dropping bombs
America is making enemies
of the entire human race.

If the human race
ever dares to strike back
America will have no alternative
but to destroy the entire world
in self-defence.

“Trenches: St Eloi”
T.E. Hulme
1883-1917 English
recorded by Ezra Pound

Over the flat slopes of St Eloi
A wide wall of sand bags.
Night,
In the silence desultory men
Pottering over small fires, cleaning their mess-tins:
To and fro, from the lines,
Men walk as on Piccadilly,
Making paths in the dark,
Through scattered dead horses,
Over a dead Belgian’s belly.

The Germans have rockets. The English have no rockets.
Behind the line, cannon, hidden, lying back miles.
Before the line, chaos:

My mind is a corridor. The minds about me are corridors.
Nothing suggests itself. There is nothing to do but keep on.

(Abbreviated from the Conversation of Mr T.E.H.)

“The Sentry”
Wilfred Owen
1893-1918 British

We'd found an old Boche dug-out, and he knew,
And gave us hell, for shell on frantic shell
Hammered on top, but never quite burst through.
Rain, guttering down in waterfalls of slime
Kept slush waist high, that rising hour by hour,
Choked up the steps too thick with clay to climb.
What murk of air remained stank old, and sour
With fumes of whizz-bangs, and the smell of men
Who'd lived there years, and left their curse in the den,
If not their corpses. . . .

There we herded from the blast
Of whizz-bangs, but one found our door at last.
Buffeting eyes and breath, snuffing the candles.
And thud! flump! thud! down the steep steps came thumping
And splashing in the flood, deluging muck --
The sentry's body; then his rifle, handles
Of old Boche bombs, and mud in ruck on ruck.
We dredged him up, for killed, until he whined
"O sir, my eyes -- I'm blind -- I'm blind, I'm blind!"
Coaxing, I held a flame against his lids
And said if he could see the least blurred light
He was not blind; in time he'd get all right.
"I can't," he sobbed. Eyeballs, huge-bulged like squids
Watch my dreams still; but I forgot him there
In posting next for duty, and sending a scout
To beg a stretcher somewhere, and floundering about
To other posts under the shrieking air.

Those other wretches, how they bled and spewed,
And one who would have drowned himself for good, --
I try not to remember these things now.
Let dread hark back for one word only: how
Half-listening to that sentry's moans and jumps,
And the wild chattering of his broken teeth,
Renewed most horribly whenever crumps
Pummelled the roof and slogged the air beneath --
Through the dense din, I say, we heard him shout
"I see your lights!" But ours had long died out.

“Trench Idyll”
Richard Aldington
1892-1962 English

We sat together in the trench,
He on a lump of frozen earth
Blown in the night before,
I on an unexploded shell;
And smoked and talked, like exiles,
Of how pleasant London was,
Its women, restaurants, night clubs, theatres,
How at that very hour
The taxi cabs were taking folk to dine ...
Then we sat silent for a while
As a machine gun swept the parapet.

He said:
"I've been here on and off two years
And only seen one man killed."

"That's odd."

"The bullet hit him in the throat;
He fell in a heap on the fire-step,
And called out 'My God! dead!'"

"Good Lord, how terrible!"

"Well, as to that, the nastiest job I've had
Was last year on this very front
Taking the discs at night from men
Who'd hung for six months on the wire
Just over there.
The worst of all was
They fell to pieces at a touch,
Thank God we couldn't see their faces;
They had gas helmets on ..."

I shivered:
"It's rather cold here, sir; suppose we move?"

“The Rainbow”
Leslie Coulson
1889-1916 English

Watch the white dawn gleam,
To the thunder of hidden guns.
I hear the hot shells scream
Through skies as sweet as a dream
Where the silver dawn-break runs.
And stabbing of light
Scorches the virginal white.
But I feel in my being the old, high, sanctified thrill,
And I thank the gods that the dawn is beautiful still.

From death that hurtles by
I crouch in the trench day-long,
But up to a cloudless sky
From the ground where our dead men lie
A brown lark soars in song.
Through the tortured air,
Rent by the shrapnel's flare,
Over the troubleless dead he carols his fill,
And I thank the gods that the birds are beautiful still.

Where the parapet is low
And level with the eye
Poppies and cornflowers glow
And the corn sways to and fro
In a pattern against the sky.
The gold stalks hide
Bodies of men who died
Charging at dawn through the dew to be killed or to kill.
I thank the gods that the flowers are beautiful still.

When night falls dark we creep
In silence to our dead.
We dig a few feet deep
And leave them there to sleep --
But blood at night is red,
Yea, even at night,
And a dead man's face is white.
And I dry my hands, that are also trained to kill,
And I look at the stars -- for the stars are beautiful still.

“Who Made the Law?”
Leslie Coulson
1889-1916 English

Who made the Law that men should die in meadows?
Who spake the word that blood should splash in lanes?
Who gave it forth that gardens should be bone-yards?
Who spread the hills with flesh, and blood, and brains?
Who made the Law?

Who made the Law that Death should stalk the village?
Who spake the word to kill among the sheaves,
Who gave it forth that death should lurk in hedgerows,
Who flung the dead among the fallen leaves?
Who made the Law?

Those who return shall find that peace endures,
Find old things old, and know the things they knew,
Walk in the garden, slumber by the fireside,
Share the peace of dawn, and dream amid the dew --
Those who return.

Those who return shall till the ancient pastures,
Clean-hearted men shall guide the plough-horse reins,
Some shall grow apples and flowers in the valleys,
Some shall go courting in summer down the lanes --
THOSE WHO RETURN.

But who made the Law? the Trees shall whisper to him:
"See, see the blood -- the splashes on our bark!"
Walking the meadows, he shall hear bones crackle,
And fleshless mouths shall gibber in silent lanes at dark.
Who made the Law?

Who made the Law? At noon upon the hillside
His ears shall hear a moan, his cheeks shall feel a breath,
And all along the valleys, past gardens, crofts, and homesteads,
HE who made the Law,
He who made the Law,
He who made the Law shall walk along with Death.

“Beat! Beat! Drums!”
Walt Whitman
1819-1892 American

Beat! beat! drums!—Blow! bugles! blow!
Through the windows—through doors—burst like a ruthless force,
Into the solemn church, and scatter the congregation;
Into the school where the scholar is studying;
Leave not the bridegroom quiet—no happiness must he have now with his bride;
Nor the peaceful farmer any peace, plowing his field or gathering his grain;
So fierce you whirr and pound, you drums—so shrill you bugles blow.

Beat! beat! drums!—Blow! bugles! blow!
Over the traffic of cities—over the rumble of wheels in the streets:
Are beds prepared for sleepers at night in the houses? No sleepers must sleep in those beds;
No bargainers’ bargains by day—no brokers or speculators—Would they continue?
Would the talkers be talking? would the singer attempt to sing?
Would the lawyer rise in the court to state his case before the judge?
Then rattle quicker, heavier drums—you bugles wilder blow.

Beat! beat! drums!—Blow! bugles! blow!
Make no parley—stop for no expostulation;
Mind not the timid—mind not the weeper or prayer;
Mind not the old man beseeching the young man;
Let not the child’s voice be heard, nor the mother’s entreaties;
Make even the trestles to shake the dead, where they lie awaiting the hearses,
So strong you thump, O terrible drums—so loud you bugles blow.

“I Have a Rendezvous with Death”
Alan Seeger
1888-1916 American

I have a rendezvous with Death
At some disputed barricade,
When Spring comes back with rustling shade
And apple-blossoms fill the air--
I have a rendezvous with Death
When Spring brings back blue days and fair.

It may be he shall take my hand
And lead me into his dark land
And close my eyes and quench my breath--
It may be I shall pass him still.
I have a rendezvous with Death
On some scarred slope of battered hill,
When Spring comes round again this year
And the first meadow-flowers appear.

God knows 'twere better to be deep
Pillowed in silk and scented down,
Where love throbs out in blissful sleep,
Pulse nigh to pulse, and breath to breath,
Where hushed awakenings are dear...
But I've a rendezvous with Death
At midnight in some flaming town,
When Spring trips north again this year,
And I to my pledged word am true,
I shall not fail that rendezvous.

“Orange Tree”
Chris Abani
1966- Nigerian

It is still there. Stunted, fruit hard, sour,
shriveled like old breasts,

the orange tree where he died,
hand vicing trunk in desperate hope.

That prisoner who escaped the nearby Biafran barracks,
his flight ending in grandmothers kitchen,

camouflaged behind baskets, pots, pans,
shallow grunts swallowed breathlessly.

Uncle fingered him, his smile cruel
as the uniforms dragged him kicking,

screaming to that tree where
they emptied bullet-hard hate into him.

Men. Familiar. From the village,
took the still twitching warm corpse into the near forest.

Dull thwacks of machetes shamed the afternoon.
Then the procession:

men, banana-leaf wrapped
packages on head, leaking blood.

“Dear John Wayne”
Louise Erdrich
1954- Anishinaabe/American

August and the drive-in picture is packed.
We lounge on the hood of the Pontiac
surrounded by the slow-burning spirals they sell
at the window, to vanquish the hordes of mosquitoes.
Nothing works. They break through the smoke screen for blood.
Always the lookout spots the Indian first,
spread north to south, barring progress.
The Sioux or some other Plains bunch
in spectacular columns, ICBM missiles,
feathers bristling in the meaningful sunset.
The drum breaks. There will be no parlance.
Only the arrows whining, a death-cloud of nerves
swarming down on the settlers
who die beautifully, tumbling like dust weeds
into the history that brought us all here
together: this wide screen beneath the sign of the bear.
The sky fills, acres of blue squint and eye
that the crowd cheers. His face moves over us,
a thick cloud of vengeance, pitted
like the land that was once flesh. Each rut,
each scar makes a promise: It is
not over, this fight, not as long as you resist.
Everything we see belongs to us.
A few laughing Indians fall over the hood
slipping in the hot spilled butter.
The eye sees a lot, John, but the heart is so blind.
Death makes us owners of nothing.
He smiles, a horizon of teeth
the credits reel over, and then the white fields
again blowing in the true-to-life dark.
The dark films over everything.
We get into the car
scratching our mosquito bites, speechless and small
as people are when the movie is done.
We are back in our skins.
How can we help but keep hearing his voice,
the flip side of the sound track, still playing:
Come on, boys, we got them
where we want them, drunk, running.
They'll give us what we want, what we need.
Even his disease was the idea of taking everything.
Those cells, burning, doubling, splitting out of their skins.

“The Death of the Ball Turret Gunner”
Randall Jarrell
1914-1965 American

From my mother's sleep I fell into the State,
And I hunched in its belly till my wet fur froze.
Six miles from earth, loosed from its dream of life,
I woke to black flak and the nightmare fighters.
When I died they washed me out of the turret with a hose.


author's note: A ball turret was a Plexiglas sphere set into the belly of a B-17 or B-24, and inhabited by two .50 caliber machine-guns and one man, a short small man. When this gunner tracked with his machine guns a fighter attacking his bomber from below, he revolved with the turret; hunched upside-down in his little sphere, he looked like the foetus in the womb. The fighters which attacked him were armed with cannon firing explosive shells. The hose was a steam hose.

“Vietnam”
Wislawa Szymborska
1923- Polish
translated by Magnus J. Krynski and Robert A. Maguire

Woman, what's your name? -- I don't know.
When were you born, where do you come from? -- I don't know.
Why did you dig a hole in the ground? -- I don't know.
How long have you been hiding here? -- I don't know.
Why did you bite the hand of friendship? -- I don't know.
Don't you know we will do you no harm? -- I don't know.
Whose side are you on? -- I don't know.
There's a war on, you must choose. -- I don't know.
Does your village still exist? -- I don't know.
Are these your children? -- Yes.

“Shiloh:
A Requiem”
Herman Melville
1819-1891 American

Skimming lightly, wheeling still,
The swallows fly low
O’er the field in clouded days,
The forest-field of Shiloh --
Over the field where April rain
Solaced the parched ones stretched in pain,
Through the pauses of the night --
That followed the Sunday fight
Around the church of Shiloh --
The church so lone, the log-built one,
That echoed to many a parting groan
And natural prayer
Of dying foemen mingled there --
Foemen at morn, but friends at eve --
Fame or country least their care:
(What like a bullet can undeceive!)
But now they lie low,
While over them the swallows skim,
And all is hushed at Shiloh.

“Suicide in the Trenches”
Siegfried Sassoon
1886-1967 English

I knew a simple soldier boy
Who grinned at life in empty joy,
Slept soundly through the lonesome dark,
And whistled early with the lark.

In winter trenches, cowed and glum,
With crumps and lice and lack of rum,
He put a bullet through his brain.
No one spoke of him again.


You smug-faced crowds with kindling eye
Who cheer when soldier lads march by,
Sneak home and pray you’ll never know
The hell where youth and laughter go.

“Ball’s Bluff:
A Reverie”
Herman Melville
1819-1891 American

One noonday, at my window in the town,
I saw a sight -- saddest that eyes can see --
Young soldiers marching lustily
Unto the wars,
With fifes, and flags in mottoed pageantry;
While all the porches, walks, and doors
Were rich with ladies cheering royally.

They moved like Juny morning on the wave,
Their hearts were fresh as clover in its prime
(It was the breezy summer time),
Life throbbed so strong,
How should they dream that Death in rosy clime
Would come to thin their shining throng?
Youth feels immortal, like the gods sublime.

Weeks passed; and at my window, leaving bed,
By nights I mused, of easeful sleep bereft,
On those brave boys (Ah War! thy theft);
Some marching feet
Found pause at last by cliffs Potomac cleft;
Wakeful I mused, while in the street
Far footfalls died away till none were left.

“Invading the South to the River”
Bayan
1300’s Mongol
translated by Sh.Tsog and Simon Wickham-Smith

The bluish mountains looked about to break at the point of a sword.
The blue river seemed not to have enough water for our mounts.
When a hundred thousand of our warriors invaded the South,
No blood besmirched the points of our spears.

“Fredericksburg”
Thomas Bailey Aldrich
1836-1907 American

The increasing moonlight drifts across my bed,
And on the churchyard by the road, I know
It falls as white and noiselessly as snow. . . .
'T was such a night two weary summers fled;
The stars, as now, were waning overhead.
Listen! Again the shrill-lipped bugles blow
Where the swift currents of the river flow
Past Fredericksburg; far off the heavens are red
With sudden conflagration; on yon height,
Linstock in hand, the gunners hold their breath;
A signal rocket pierces the dense night,
Flings its spent stars upon the town beneath:
Hark!--the artillery massing on the right,
Hark!--the black squadrons wheeling down to Death!

“Anthem for Doomed Youth”
Wilfred Owen
1893-1918 British

What passing-bells for these who die as cattle?
Only the monstrous anger of the guns.
Only the stuttering rifles' rapid rattle
Can patter out their hasty orisons.
No mockeries now for them; no prayers nor bells;
Nor any voice of mourning save the choirs,
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad shires.

What candles may be held to speed them all?
Not in the hands of boys, but in their eyes
Shall shine the holy glimmers of good-byes.
The pallor of girls' brows shall be their pall;
Their flowers the tenderness of patient minds,
And each slow dusk a drawing-down of blinds.

“Dulce et Decorum Est”
Wilfred Owen
1893-1918 British

Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of tired, outstripped Five-Nines that dropped behind.

Gas! GAS! Quick, boys! – An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling,
And flound'ring like a man in fire or lime . . .
Dim, through the misty panes and thick green light,
As under a green sea, I saw him drowning.

In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.

If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.

“Attack”
Siegfried Sassoon
1886-1967 English

At dawn the ridge emerges massed and dun
In the wild purple of the glow'ring sun,
Smouldering through spouts of drifting smoke that shroud
The menacing scarred slope; and, one by one,
Tanks creep and topple forward to the wire.
The barrage roars and lifts. Then, clumsily bowed
With bombs and guns and shovels and battle-gear,
Men jostle and climb to meet the bristling fire.
Lines of grey, muttering faces, masked with fear,
They leave their trenches, going over the top,
While time ticks blank and busy on their wrists,
And hope, with furtive eyes and grappling fists,
Flounders in mud. O Jesus, make it stop!