“Dear John Wayne”
Louise Erdrich
1954- Anishinaabe/American

August and the drive-in picture is packed.
We lounge on the hood of the Pontiac
surrounded by the slow-burning spirals they sell
at the window, to vanquish the hordes of mosquitoes.
Nothing works. They break through the smoke screen for blood.
Always the lookout spots the Indian first,
spread north to south, barring progress.
The Sioux or some other Plains bunch
in spectacular columns, ICBM missiles,
feathers bristling in the meaningful sunset.
The drum breaks. There will be no parlance.
Only the arrows whining, a death-cloud of nerves
swarming down on the settlers
who die beautifully, tumbling like dust weeds
into the history that brought us all here
together: this wide screen beneath the sign of the bear.
The sky fills, acres of blue squint and eye
that the crowd cheers. His face moves over us,
a thick cloud of vengeance, pitted
like the land that was once flesh. Each rut,
each scar makes a promise: It is
not over, this fight, not as long as you resist.
Everything we see belongs to us.
A few laughing Indians fall over the hood
slipping in the hot spilled butter.
The eye sees a lot, John, but the heart is so blind.
Death makes us owners of nothing.
He smiles, a horizon of teeth
the credits reel over, and then the white fields
again blowing in the true-to-life dark.
The dark films over everything.
We get into the car
scratching our mosquito bites, speechless and small
as people are when the movie is done.
We are back in our skins.
How can we help but keep hearing his voice,
the flip side of the sound track, still playing:
Come on, boys, we got them
where we want them, drunk, running.
They'll give us what we want, what we need.
Even his disease was the idea of taking everything.
Those cells, burning, doubling, splitting out of their skins.

Quotations from *Under Western Eyes*, 5 of 12
Joseph Conrad
1857-1924 Polish/British

I received the impression that behind these dark spectacles of his he could be as impudent as he chose.
—Joseph Conrad, Under Western Eyes

"And no woman can remain sitting on the steps. Flowers, tears, applause—that has had its time; it's a mediaeval conception. The arena, the arena itself is the place for women!"

He relinquished her hand with a flourish, as if giving it to her for a gift, and remained still, his head bowed in dignified submission before her femininity.

"The arena!... You must descend into the arena, Natalia."

He made one step backwards, inclined his enormous body, and was gone swiftly. The door fell to behind him. But immediately the powerful resonance of his voice was heard addressing in the ante-room the middle-aged servant woman who was letting him out. Whether he exhorted her too to descend into the arena I cannot tell. The thing sounded like a lecture, and the slight crash of the outer door cut it short suddenly.
—Joseph Conrad, Under Western Eyes

"Your brother believed in the power of a people's will to achieve anything?"

"It was his religion," declared Miss Haldin.
—Joseph Conrad, Under Western Eyes

"Reform is impossible. There is nothing to reform. There is no legality, there are no institutions. There are only arbitrary decrees. There is only a handful of cruel—perhaps blind—officials against a nation."
—Joseph Conrad, Under Western Eyes

The last thing I want to tell you is this: in a real revolution—not a simple dynastic change or a mere reform of institutions—in a real revolution the best characters do not come to the front. A violent revolution falls into the hands of narrow-minded fanatics and of tyrannical hypocrites at first. Afterwards comes the turn of all the pretentious intellectual failures of the time. Such are the chiefs and the leaders. You will notice that I have left out the mere rogues. The scrupulous and the just, the noble, humane, and devoted natures; the unselfish and the intelligent may begin a movement—but it passes away from them. They are not the leaders of a revolution. They are its victims: the victims of disgust, of disenchantment—often of remorse. Hopes grotesquely betrayed, ideals caricatured—that is the definition of revolutionary success.
—Joseph Conrad, Under Western Eyes

"The true progress must begin after. And for that the right men shall be found. They are already amongst us. One comes upon them in their obscurity, unknown, preparing themselves...."

She spread out the letter she had kept in her hand all the time, and looking down at it—

"Yes! One comes upon such men!" she repeated, and then read out the words, "Unstained, lofty, and solitary existences."
—Joseph Conrad, Under Western Eyes

Thinking it over, later on, while I walked slowly away from the Boulevard des Philosophes, I asked myself critically, what precisely was it that she wanted to know?
—Joseph Conrad, Under Western Eyes

In the educational establishment for girls where Miss Haldin finished her studies she was looked upon rather unfavourably. She was suspected of holding independent views on matters settled by official teaching.
—Joseph Conrad, Under Western Eyes

I am not ancient enough as yet to be strikingly decrepit. I have no long beard like the good hermit of a romantic ballad; my footsteps are not tottering, my aspect not that of a slow, venerable sage. Those picturesque advantages are not mine. I am old, alas, in a brisk, commonplace way.
—Joseph Conrad, Under Western Eyes

Do you understand how frightful that is—nothing to look forward to! Sometimes I think that it is only in Russia that there are such people and such a depth of misery can be reached.
—Joseph Conrad, Under Western Eyes

“The Pequod Meets the Bachelor”
Chapter 115 of *Moby-Dick; or, The Whale*
Herman Melville
1819-1891 American

And jolly enough were the sights and the sounds that came bearing down before the wind, some few weeks after Ahab's harpoon had been welded.

It was a Nantucket ship, the Bachelor, which had just wedged in her last cask of oil, and bolted down her bursting hatches; and now, in glad holiday apparel, was joyously, though somewhat vain-gloriously, sailing round among the widely-separated ships on the ground, previous to pointing her prow for home.

The three men at her mast-head wore long streamers of narrow red bunting at their hats; from the stern, a whale-boat was suspended, bottom down; and hanging captive from the bowsprit was seen the long lower jaw of the last whale they had slain. Signals, ensigns, and jacks of all colours were flying from her rigging, on every side. Sideways lashed in each of her three basketed tops were two barrels of sperm; above which, in her top-mast cross-trees, you saw slender breakers of the same precious fluid; and nailed to her main truck was a brazen lamp.

As was afterwards learned, the Bachelor had met with the most surprising success; all the more wonderful, for that while cruising in the same seas numerous other vessels had gone entire months without securing a single fish. Not only had barrels of beef and bread been given away to make room for the far more valuable sperm, but additional supplemental casks had been bartered for, from the ships she had met; and these were stowed along the deck, and in the captain's and officers' state-rooms. Even the cabin table itself had been knocked into kindling-wood; and the cabin mess dined off the broad head of an oil-butt, lashed down to the floor for a centrepiece. In the forecastle, the sailors had actually caulked and pitched their chests, and filled them; it was humorously added, that the cook had clapped a head on his largest boiler, and filled it; that the steward had plugged his spare coffee-pot and filled it; that the harpooneers had headed the sockets of their irons and filled them; that indeed everything was filled with sperm, except the captain's pantaloons pockets, and those he reserved to thrust his hands into, in self-complacent testimony of his entire satisfaction.

As this glad ship of good luck bore down upon the moody Pequod, the barbarian sound of enormous drums came from her forecastle; and drawing still nearer, a crowd of her men were seen standing round her huge try-pots, which, covered with the parchment-like poke or stomach skin of the black fish, gave forth a loud roar to every stroke of the clenched hands of the crew. On the quarter-deck, the mates and harpooneers were dancing with the olive-hued girls who had eloped with them from the Polynesian Isles; while suspended in an ornamented boat, firmly secured aloft between the foremast and mainmast, three Long Island negroes, with glittering fiddle-bows of whale ivory, were presiding over the hilarious jig. Meanwhile, others of the ship's company were tumultuously busy at the masonry of the try-works, from which the huge pots had been removed. You would have almost thought they were pulling down the cursed Bastille, such wild cries they raised, as the now useless brick and mortar were being hurled into the sea.

Lord and master over all this scene, the captain stood erect on the ship's elevated quarter-deck, so that the whole rejoicing drama was full before him, and seemed merely contrived for his own individual diversion.

And Ahab, he too was standing on his quarter-deck, shaggy and black, with a stubborn gloom; and as the two ships crossed each other's wakes--one all jubilations for things passed, the other all forebodings as to things to come--their two captains in themselves impersonated the whole striking contrast of the scene.

"Come aboard, come aboard!" cried the gay Bachelor's commander, lifting a glass and a bottle in the air.

"Hast seen the White Whale?" gritted Ahab in reply.

"No; only heard of him; but don't believe in him at all," said the other good-humoredly. "Come aboard!"

"Thou art too damned jolly. Sail on. Hast lost any men?"

"Not enough to speak of--two islanders, that's all;--but come aboard, old hearty, come along. I'll soon take that black from your brow. Come along, will ye (merry's the play); a full ship and homeward-bound."

"How wondrous familiar is a fool!" muttered Ahab; then aloud, "Thou art a full ship and homeward bound, thou sayst; well, then, call me an empty ship, and outward-bound. So go thy ways, and I will mine. Forward there! Set all sail, and keep her to the wind!"

And thus, while the one ship went cheerily before the breeze, the other stubbornly fought against it; and so the two vessels parted; the crew of the Pequod looking with grave, lingering glances towards the receding Bachelor; but the Bachelor's men never heeding their gaze for the lively revelry they were in. And as Ahab, leaning over the taffrail, eyed the homewardbound craft, he took from his pocket a small vial of sand, and then looking from the ship to the vial, seemed thereby bringing two remote associations together, for that vial was filled with Nantucket soundings.

“Drum”
Langston Hughes
1902-1967 American

Bear in mind
That death is a drum
Beating forever

Till the last worms come

To answer its call,

Till the last stars fall,

Until the last atom
Is no atom at all,

Until time is lost
And there is no air
And space itself
Is nothing nowhere,
Death is a drum,

A signal drum,
Calling life

To come!

Come!

Come!

Quotations from *Under Western Eyes*, 6 of 12
Joseph Conrad
1857-1924 Polish/British

Upon my word, I would think that finances and all the rest of it are an invention of the devil; only that a belief in a supernatural source of evil is not necessary; men alone are quite capable of every wickedness.
—Joseph Conrad, Under Western Eyes

I have looked closely at what would seem inconceivable if one's own eyes had not to be trusted. I have looked at things that made me hate myself for my helplessness. I hated my hands that had no power, my voice that could not be heard, my very mind that would not become unhinged.
—Joseph Conrad, Under Western Eyes

He said to himself that all this was not for him; the beauty of women and the friendship of men were not for him.
—Joseph Conrad, Under Western Eyes

"He seems to be a man who has suffered more from his thoughts than from evil fortune."
—Joseph Conrad, Under Western Eyes

There is little logic to be expected on this earth, not only in the matter of thought, but also of sentiment.
—Joseph Conrad, Under Western Eyes

"What's going on with us is of no importance—a mere sensational story to amuse the readers of the papers—the superior contemptuous Europe. It is hateful to think of. But let them wait a bit!"
—Joseph Conrad, Under Western Eyes

I paused, and for a moment sat listening to the footsteps of the few people passing up and down the broad central walk.
—Joseph Conrad, Under Western Eyes

He thought it odious—oppressively odious—in its unsuggestive finish: the very perfection of mediocrity attained at last after centuries of toil and culture.
—Joseph Conrad, Under Western Eyes

"The very patronymic you are so civil as to use when addressing me I have no legal right to—but what of that? I don't wish to claim it. I have no father. So much the better. But I will tell you what: my mother's grandfather was a peasant—a serf. See how much I am one of you. I don't want anyone to claim me. But Russia can't disown me. She cannot!"

Razumov struck his breast with his fist.

"I am it!"
—Joseph Conrad, Under Western Eyes

“The Forge”
Chapter 113 of *Moby-Dick; or, The Whale*
Herman Melville
1819-1891 American

With matted beard, and swathed in a bristling shark-skin apron, about mid-day, Perth was standing between his forge and anvil, the latter placed upon an iron-wood log, with one hand holding a pike-head in the coals, and with the other at his forge's lungs, when Captain Ahab came along, carrying in his hand a small rusty-looking leathern bag. While yet a little distance from the forge, moody Ahab paused; till at last, Perth, withdrawing his iron from the fire, began hammering it upon the anvil--the red mass sending off the sparks in thick hovering flights, some of which flew close to Ahab.

"Are these thy Mother Carey's chickens, Perth? they are always flying in thy wake; birds of good omen, too, but not to all;--look here, they burn; but thou--thou liv'st among them without a scorch."

"Because I am scorched all over, Captain Ahab," answered Perth, resting for a moment on his hammer; "I am past scorching; not easily can'st thou scorch a scar."

"Well, well; no more. Thy shrunk voice sounds too calmly, sanely woeful to me. In no Paradise myself, I am impatient of all misery in others that is not mad. Thou should'st go mad, blacksmith; say, why dost thou not go mad? How can'st thou endure without being mad? Do the heavens yet hate thee, that thou can'st not go mad?--What wert thou making there?"

"Welding an old pike-head, sir; there were seams and dents in it."

"And can'st thou make it all smooth again, blacksmith, after such hard usage as it had?"

"I think so, sir."

"And I suppose thou can'st smoothe almost any seams and dents; never mind how hard the metal, blacksmith?"

"Aye, sir, I think I can; all seams and dents but one."

"Look ye here, then," cried Ahab, passionately advancing, and leaning with both hands on Perth's shoulders; "look ye here--HERE--can ye smoothe out a seam like this, blacksmith," sweeping one hand across his ribbed brow; "if thou could'st, blacksmith, glad enough would I lay my head upon thy anvil, and feel thy heaviest hammer between my eyes. Answer! Can'st thou smoothe this seam?"

"Oh! that is the one, sir! Said I not all seams and dents but one?"

"Aye, blacksmith, it is the one; aye, man, it is unsmoothable; for though thou only see'st it here in my flesh, it has worked down into the bone of my skull--THAT is all wrinkles! But, away with child's play; no more gaffs and pikes to-day. Look ye here!" jingling the leathern bag, as if it were full of gold coins. "I, too, want a harpoon made; one that a thousand yoke of fiends could not part, Perth; something that will stick in a whale like his own fin-bone. There's the stuff," flinging the pouch upon the anvil. "Look ye, blacksmith, these are the gathered nail-stubbs of the steel shoes of racing horses."

"Horse-shoe stubbs, sir? Why, Captain Ahab, thou hast here, then, the best and stubbornest stuff we blacksmiths ever work."

"I know it, old man; these stubbs will weld together like glue from the melted bones of murderers. Quick! forge me the harpoon. And forge me first, twelve rods for its shank; then wind, and twist, and hammer these twelve together like the yarns and strands of a tow-line. Quick! I'll blow the fire."

When at last the twelve rods were made, Ahab tried them, one by one, by spiralling them, with his own hand, round a long, heavy iron bolt. "A flaw!" rejecting the last one. "Work that over again, Perth."

This done, Perth was about to begin welding the twelve into one, when Ahab stayed his hand, and said he would weld his own iron. As, then, with regular, gasping hems, he hammered on the anvil, Perth passing to him the glowing rods, one after the other, and the hard pressed forge shooting up its intense straight flame, the Parsee passed silently, and bowing over his head towards the fire, seemed invoking some curse or some blessing on the toil. But, as Ahab looked up, he slid aside.

"What's that bunch of lucifers dodging about there for?" muttered Stubb, looking on from the forecastle. "That Parsee smells fire like a fusee; and smells of it himself, like a hot musket's powder-pan."

At last the shank, in one complete rod, received its final heat; and as Perth, to temper it, plunged it all hissing into the cask of water near by, the scalding steam shot up into Ahab's bent face.

"Would'st thou brand me, Perth?" wincing for a moment with the pain; "have I been but forging my own branding-iron, then?"

"Pray God, not that; yet I fear something, Captain Ahab. Is not this harpoon for the White Whale?"

"For the white fiend! But now for the barbs; thou must make them thyself, man. Here are my razors--the best of steel; here, and make the barbs sharp as the needle-sleet of the Icy Sea."

For a moment, the old blacksmith eyed the razors as though he would fain not use them.

"Take them, man, I have no need for them; for I now neither shave, sup, nor pray till--but here--to work!"

Fashioned at last into an arrowy shape, and welded by Perth to the shank, the steel soon pointed the end of the iron; and as the blacksmith was about giving the barbs their final heat, prior to tempering them, he cried to Ahab to place the water-cask near.

"No, no--no water for that; I want it of the true death-temper. Ahoy, there! Tashtego, Queequeg, Daggoo! What say ye, pagans! Will ye give me as much blood as will cover this barb?" holding it high up. A cluster of dark nods replied, Yes. Three punctures were made in the heathen flesh, and the White Whale's barbs were then tempered.

"Ego non baptizo te in nomine patris, sed in nomine diaboli!" deliriously howled Ahab, as the malignant iron scorchingly devoured the baptismal blood.

Now, mustering the spare poles from below, and selecting one of hickory, with the bark still investing it, Ahab fitted the end to the socket of the iron. A coil of new tow-line was then unwound, and some fathoms of it taken to the windlass, and stretched to a great tension. Pressing his foot upon it, till the rope hummed like a harp-string, then eagerly bending over it, and seeing no strandings, Ahab exclaimed, "Good! and now for the seizings."

At one extremity the rope was unstranded, and the separate spread yarns were all braided and woven round the socket of the harpoon; the pole was then driven hard up into the socket; from the lower end the rope was traced half-way along the pole's length, and firmly secured so, with intertwistings of twine. This done, pole, iron, and rope--like the Three Fates--remained inseparable, and Ahab moodily stalked away with the weapon; the sound of his ivory leg, and the sound of the hickory pole, both hollowly ringing along every plank. But ere he entered his cabin, a light, unnatural, half-bantering, yet most piteous sound was heard. Oh, Pip! thy wretched laugh, thy idle but unresting eye; all thy strange mummeries not unmeaningly blended with the black tragedy of the melancholy ship, and mocked it!